Jun 6, 2011 | Consumerism, Music
Beijing is chock-full of branded events these days. Whether it’s Diane von Furstenberg at Pace Gallery or Louis Vuitton at the National Museum of China, many fashion houses and luxury brands are trying to wedge themselves into the lucrative Chinese consumer market by pairing up with “legitimate” cultural institutions. Calvin Klein was no different when they rolled into Beijing and threw a party at Club Tango featuring performances by New Pants/新裤子 from Beijing and Far East Movement from Los Angeles. New Pants played a very short set including my current favorite “Sex, Drugs, Internet” while the Far East Movement rocked the energetic crowd with their “Like a G6” hit – see videos below. Otherwise, one corner of the dance floor was dominated by a specially constructed mini-studio where people could be videotaped dancing around a white room in the same manner as recent Calvin Klein advertisements. The only caveat was that anyone entering the box signed away their rights to the video in hopes of being selected for a future Calvin Klein campaign or web feature. People around the mini-studio could also watch live feeds of the antics occurring inside via flatscreens built into the siding. Overall it was a rather ingenious ploy to get people to freely relinquish rights to their personal images for commercial purposes. Events like this occur every few days in Beijing as international corporations continue to drum up a consumer frenzy throughout China.
May 29, 2011 | Clippings, Fashion, Music, Portraits
Thanks to my new friend Alex Chao, who just arrived in Beijing to take over art direction at China Vogue, I was able to contribute for the first time to China Vogue this month. It was also a perfect match since the magazine was running a big music issue and decided to let me cue up on some of the old school rockers in China including Cui Jian/崔健 (the godfather of Chinese rock), Shen Lihui/沈黎辉 (general rocker and founder of Modern Sky) and Zhang Youdai/张有待 (the DJ who introduced rock to the masses). First of all, I was very excited to get a chance to shoot Cui Jian on the D-22 red wall. He really is a pillar in the history of Chinese rock and greatly influenced a whole generation of China with his anthem “Nothing to My Name” which became a rallying song for students in China during the 1980s. Although I might not be the biggest fan of some of Shen Lihui’s music, his importance as the founder of the Modern Sky music label and festival production company is undisputed. When other record companies refused to release his music in 1997, he went his own way and founded Modern Sky to support a new generation of Chinese rockers and then continued to take this music to larger audiences with the Modern Sky Music Festival and Strawberry Music Festival. Shen Lihui will undoubtably be a force in the future of alternative music in China for some time to come. Although I had never heard of Zhang Youdai before, he seems to be an instrumental character in the history of rock in China as well. He became a DJ and host on Beijing Music Radio back in 1993 and introduced a wide range of music to youth across China. He is a true shaker in China’s emerging entertainment market and is rocking out to an Eric Clapton LP in the China Vogue portrait. Mad respect.
May 25, 2011 | Music, Youth
Over the first half of this year it’s been my pleasure to hang out with
DJ Wordy in his Sanlitun studio as he collaborated with Soulspeak on the aptly named
Wordy Soulspeak instrumental album. The release party is this Friday, May 27 at Yugong Yishan – be there or be square. All I can say is that the beats are DOPE, and many of the tracks are getting lots of play on my iPod (check out this
posting for shootouts for the album from Pete Rock, RZA, Kidd Koala and more). DJ Wordy and Soulspeak are really trying to step up the quality of hip hop production in China. This album is a great first step in the direction of trying to get together the best producers with the best MCs in the country. Hopefully there will be a remix of some sort with all the Beijing heads spitting rhymes over it. Right now I feel the big thing holding back hip hop in China is the lack of collaboration between the beat makers and the freestylers as well as a lack of impetus to get things out on a consistent basis. People are starting to wake up though, and I hope to see a bunch of new hip hop albums released this year. Check out the Wordy Soulspeak video promo I put together below, complete with interview and studio tour. Stay tuned for more.
May 16, 2011 | Music, Youth
The beginning of May is always the busiest time of year for music in Beijing. Bands flock from all over China, and increasingly the world, to perform at a growing number of festivals (see MIDI, Strawberry and CMV) and then rock out local venues late into the night. This May Day also marked the fifth anniversary of D-22, the now notorious dive bar featuring live music that pulled me into the underground/alternative concert scene back in 2007. My uninhibited relationship with the establishment and the musicians that called it home yielded my first monograph, Sound Kapital, and was one of the main reasons for my continued stay here in Beijing. Although I have directed the focus of my documentation to a growing number of music scenes in China, hip hop in particular, I always end up at D-22 for the anniversary shows as it showcases some of the best bands in China and becomes a reunion of sorts for musicians and other hardcore fans. Rowdy evenings are assured and the music goes late into the night. The following videos are highlights from the D-22 fifth anniversary including Carsick Cars, AV Okubo, The Offset: Spectacles, Snapline and selections from the experimental evening including White+, Birdstriking and Chuiwan. You should also check out the brief retrospective made in honor of D-22’s fifth anniversary put together by the Pangbianr crew. Enjoy.
May 5, 2011 | Music, Travel, Youth
Indonesian hardcore is back. A growing number of youth, disaffected by high rates of unemployment and conservative social mores, are returning to hardcore musical roots that first emerged in Java during the early nineties. Looking to blow off steam and build an alternative community that doesn’t bow to sponsors or mainstream media restrictions, these teenagers like the tempo loud, strong and fast. By employing DIY tactics on the Internet and through mobile phones, they continue to establish larger networks of peers and fellow outsiders. The swelling ranks of Indonesian hardcore fans now organize shows in abandoned houses, art centers and empty storefronts across the country. These communal affairs, put on purely for the sake of the music, often showcase up to twenty bands playing short, fiery sets of hardcore music as well as other outlying subgenres of metal and punk. The mosh pits may appear violent but fighting is not tolerated and after the shows most fans hang around and enjoy the camaraderie of their peers. The hardcore community in Java promotes tolerance and diversity and also continues to redefine the role of women in the largest Muslim nation on the planet. Check out the video below for a more detailed look into the Indonesian hardcore scene on Java.
