{"id":2579,"date":"2012-03-13T01:27:32","date_gmt":"2012-03-12T17:27:32","guid":{"rendered":"http:\/\/www.mdnphoto.com\/blog\/?p=2579"},"modified":"2012-03-13T01:27:32","modified_gmt":"2012-03-12T17:27:32","slug":"an-empty-chinese-metropolis-in-conde-nast-traveler","status":"publish","type":"post","link":"https:\/\/matthewniederhauser.com\/research\/2012\/03\/13\/an-empty-chinese-metropolis-in-conde-nast-traveler\/","title":{"rendered":"An Empty Chinese Metropolis in Conde Nast Traveler"},"content":{"rendered":"

\"Matthew<\/a><\/p>\n

\n

One of my photographs<\/a> from the amazingly ridiculous Kangbashi district in Ordos was featured in Conde Nast Traveler this past month. The building shown is the Ordos Museum<\/a> designed by MAD architects<\/a>, one of the preeminent Chinese architecture firms founded by Ma Yansong<\/a> who previously toiled as a project designer for Zaha Hadid Architects. The building itself remains a wonder to behold as its irregular shape clashes with the geometrical grid that binds the rest of the newfangled district. Whether or not it will see any use is the real question now that it finally opened<\/a>. The municipal government can barely get people to stay put in the Kangbashi residential developments, let alone consistently fill up over 40,000 square meters of exhibition space. The flagship cultural center of Ordos will probably accumulate more sand from the Gobi desert than actual visitors. Anyway, I will be featuring more photographs of MAD buildings in the near future thanks to my first assignment with The New York Times Magazine. In the meantime, you can check out some extra photographs I took of the unfinished interior.<\/p>\n<\/div>\n

\"The<\/a><\/p>\n

\"The<\/a>\"The<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

One of my photographs from the amazingly ridiculous Kangbashi district in Ordos was featured in Conde Nast Traveler this past month. The building shown is the Ordos Museum designed by MAD architects, one of the preeminent Chinese architecture firms founded by Ma Yansong who previously toiled as a project designer for Zaha Hadid Architects. The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,4],"tags":[29,79,122,124,230,247,250,302,411],"class_list":["post-2579","post","type-post","status-publish","format-standard","hentry","category-architecture_category","category-clippings_category","tag-architecture","tag-china","tag-design","tag-development","tag-kangbashi","tag-ma-yansong","tag-mad-architecture","tag-ordos","tag-urban"],"_links":{"self":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts\/2579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/comments?post=2579"}],"version-history":[{"count":0,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts\/2579\/revisions"}],"wp:attachment":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/media?parent=2579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/categories?post=2579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/tags?post=2579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}