{"id":2666,"date":"2012-05-23T18:54:20","date_gmt":"2012-05-23T10:54:20","guid":{"rendered":"http:\/\/www.mdnphoto.com\/blog\/?p=2666"},"modified":"2020-09-23T15:29:11","modified_gmt":"2020-09-23T15:29:11","slug":"building-the-american-dream-in-china-for-the-new-york-times-magazine","status":"publish","type":"post","link":"https:\/\/matthewniederhauser.com\/research\/2012\/05\/23\/building-the-american-dream-in-china-for-the-new-york-times-magazine\/","title":{"rendered":"&#8220;Building the American Dream in China&#8221; for The New York Times Magazine"},"content":{"rendered":"<p><a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_new_york_times_magazine_china_architecture_clipping.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_new_york_times_magazine_china_architecture_clipping.jpg\" alt=\"Matthew Niederhauser&#039;s opening spread for &quot;Building the American Dream, In China&quot; in The New York Times Magazine\" title=\"Matthew Niederhauser&#039;s opening spread for &quot;Building the American Dream, In China&quot; in The New York Times Magazine\" width=\"950\" height=\"579\" class=\"aligncenter size-full wp-image-2681\" \/><\/a><\/p>\n<div id=\"paragraph\">\n<p>I finally got an opportunity to shoot for <a title=\"Building the American Dream in China - The New York Times Magazine\" href=\"http:\/\/www.nytimes.com\/2012\/03\/18\/magazine\/architects-in-china-building-the-american-dream.html\" target=\"_blank\" rel=\"noopener noreferrer\">The New York Times Magazine<\/a>. They sent me to Harbin with Daniel Gillen, a young American architect who transplanted to Beijing to ride the wave of audacious infrastructure projects being built across China. He currently works for <a title=\"MAD architects\" href=\"http:\/\/www.i-mad.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">MAD<\/a>, founded by <a title=\"Ma Yansong - Wikipedia\" href=\"http:\/\/en.wikipedia.org\/wiki\/Yansong_Ma\" target=\"_blank\" rel=\"noopener noreferrer\">Ma Yansong<\/a> and one of the leading domestic firms in China. Over the past few years MAD was tapped to build a number of cultural centers and museums in their consistently curvilinear style, including the recently completed <a title=\"An Empty Chinese Metropolis in Conde Nast Traveler - mdnphoto\" href=\"http:\/\/matthewniederhauser.com\/research\/2012\/03\/13\/an-empty-chinese-metropolis-in-conde-nast-traveler\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ordos Museum<\/a> and the <a title=\"China Wood Sculpture Museum - MAD architects\" href=\"http:\/\/www.i-mad.com\/#works_details?wtid=4&amp;id=31\" target=\"_blank\" rel=\"noopener noreferrer\">China Wood Sculpture Museum<\/a> that I photographed in Harbin. Unfortunately these grand architectural flourishes are usually just showpieces in much larger megablock developments &#8211; a small nod to innovation amongst a greater sea of mundane urbanity. Whether or not they actually see any use is still in question. In an ideal world they will become centers of creativity, but in the meantime, Daniel Gillen is only there to build them.<\/p>\n<\/div>\n<p><a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development002.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development002.jpg\" alt=\"MAD architect Daniel Gillen poses outside the Harbin Wood Sculpture Museum.\" title=\"MAD architect Daniel Gillen poses outside the Harbin Wood Sculpture Museum.\" width=\"950\" height=\"633\" class=\"aligncenter size-full wp-image-2679\" \/><\/a><\/p>\n<p><a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait004.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait004.jpg\" alt=\"MAD architect Daniel Gillen poses underneath the Harbin Cultural Island.\" title=\"MAD architect Daniel Gillen poses underneath the Harbin Cultural Island.\" width=\"460\" height=\"558\" class=\"alignleft size-full wp-image-2677\" \/><\/a><br \/>\n<a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait003.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait003.jpg\" alt=\"MAD architect Daniel Gillen poses with the Harbin Cultural Island.\" title=\"MAD architect Daniel Gillen poses with the Harbin Cultural Island.\" width=\"460\" height=\"560\" class=\"alignright size-full wp-image-2676\" \/><\/a><\/p>\n<p><a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development001.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development001.jpg\" alt=\"MAD architect Daniel Gillen poses with the Harbin Cultural Island.\" title=\"MAD architect Daniel Gillen poses with the Harbin Cultural Island.\" width=\"950\" height=\"633\" class=\"aligncenter size-full wp-image-2678\" \/><\/a><\/p>\n<p><a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait002.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait002.jpg\" alt=\"MAD architect Daniel Gillen poses outside the Harbin Wood Sculpture Museum.\" title=\"MAD architect Daniel Gillen poses outside the Harbin Wood Sculpture Museum.\" width=\"460\" height=\"558\" class=\"alignleft size-full wp-image-2675\" \/><\/a><br \/>\n<a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait001.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development_portrait001.jpg\" alt=\"MAD architect Daniel Gillen poses outside the Harbin Wood Sculpture Museum.\" title=\"MAD architect Daniel Gillen poses outside the Harbin Wood Sculpture Museum.\" width=\"460\" height=\"558\" class=\"alignright size-full wp-image-2674\" \/><\/a><\/p>\n<p><a href=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development003.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/matthewniederhauser.com\/research\/wp-content\/uploads\/2012\/05\/20120221_mdnphoto_nytimes_mag_architecture_mad_china_harbin_development003.jpg\" alt=\"MAD architect Daniel Gillen poses inside the Harbin Wood Sculpture Museum.\" title=\"MAD architect Daniel Gillen poses inside the Harbin Wood Sculpture Museum.\" width=\"950\" height=\"633\" class=\"aligncenter size-full wp-image-2680\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I finally got an opportunity to shoot for The New York Times Magazine. They sent me to Harbin with Daniel Gillen, a young American architect who transplanted to Beijing to ride the wave of audacious infrastructure projects being built across China. He currently works for MAD, founded by Ma Yansong and one of the leading [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,4,7,11,15],"tags":[29,79,112,113,124,196,199,249,314,437],"class_list":["post-2666","post","type-post","status-publish","format-standard","hentry","category-architecture_category","category-clippings_category","category-development_category","category-portraits_category","category-urban_category","tag-architecture","tag-china","tag-cultural-island","tag-culture","tag-development","tag-harbin","tag-heilongjiang","tag-mad","tag-portrait","tag-wood-sculpture-museum"],"_links":{"self":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts\/2666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/comments?post=2666"}],"version-history":[{"count":1,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts\/2666\/revisions"}],"predecessor-version":[{"id":3154,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/posts\/2666\/revisions\/3154"}],"wp:attachment":[{"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/media?parent=2666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/categories?post=2666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/matthewniederhauser.com\/research\/wp-json\/wp\/v2\/tags?post=2666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}